Friday, June 20, 2025

Mythic Worksheet, Charts, and List Index, Mythic Magazines 13 through 18

Sometimes one must admit they have bitten off more than they can chew. I am going to revise this series to just being locations of worksheets and flow charts. Even Wizard Dad is a bit over whelmed by the incredible number of charts, tables, etc that are in the Mythic Mags. I think I got bogged down in the delightful cornucopia of details. This much detail isn't necessary. So going forward (and then probably backwards, I am only going to list flowcharts and Worksheets, which are what I find myself looking for more often than not.

Volume 13

Adapting Mythic’s Ranks Rules

  • Fate Check Modifiers Updated chart, pg. 4

Creature Crafter Simplified 

  • Creature Description Table, pg. 12
  • Creature Ability Table, pg. 14
  • Creature Statistics Table, pg. 15
  • Creature Action Table, pg. 17
  • Creature New Ability Table, pg. 18

Volume 14

Emotional Quest Adventures
  • The Emotional Quest flowchart, pg. 5
  • Fulfillment Issues Table, pg. 7
  • Suggested Fulfillment Values table, pg. 8
  • Fulfillment Opportunity Priming chart, pg. 10
  • Epiphany Fate Question Odds chart, pg. 13
  • Epiphany Fate Questions Results table, pg. 13
  • Emotional Quest Record Sheet, pg. 19
More Flowcharts
  • Location Crafting flowchart, pg. 25
  • Randomized Location Crafting flowchart, pg. 26
  • Statistics Check Flowchart, pg. 27 
  • Creature Crafting Flowchart, pg. 28
Volume 15

Randomized World Generation
  • Worlds Story Descriptors Table, pg. 8
  • Worlds Region Descriptors Table, pg. 9
Volume 16

Location Crafting Random Cities
  • City Story Descriptors Table, pg. 6
  • City Region Descriptors Table, pg. 7
  • City Connectors Table, pg. 8
Volume 17

The Big Collection of Big Examples
  • Meaning Table Behaviors Vocal, pg. 29
(Highly Useful back matter)
  • Adventure Lists worksheet, pg. 32
  • Nested Characters List Sheet, pg. 33
  • Adventure Crafter List Sheet, pg. 34
  • Adventure Crafter Deck List Sheet, pg. 35
  • 2E Adventure List Sheet, pg. 36
  • Keyed Scenes Record Sheet, pg. 37
Volume 18

Adapting The Event Focus Table To Your RPG
  • Adaptable Event Focus Table, pg. 4
Specialized Meaning Tables
  • Meaning Tables: Elements Table ,pg. 15
    • Adventure Tone
    • Animal Actions
    • Cavern Descriptions
  • Meaning Tables: Elements Table ,pg. 16
    • Character Actions, Combat
    • Character Actions, General
    • Character Background
  • Meaning Tables: Elements Table ,pg. 17
    • Character Conversation
    • Character Descriptors, General
    • Character Descriptors, Physical
  • Meaning Tables: Elements Table ,pg. 18
    • Character Identity
    • Character Motivation
    • Character Personality
  • Meaning Tables: Elements Table ,pg. 19
    • Character Traits and Flaws
    • City Descriptions
    • Clues
  • Meaning Tables: Elements Table ,pg. 20
    • Creature Abilities
    • Creature Descriptions
    • Dungeon Descriptions
  • Meaning Tables: Elements Table ,pg. 21
    • Forest Descriptions
    • Location Descriptions, General
    • Magic Item Descriptions
  • Meaning Tables: Elements Table ,pg. 22
    • Object Descriptions, General
    • Object Descriptions Small Items
    • Planet Descriptions 
  • Meaning Tables: Elements Table ,pg. 23
    • Plot Twists
    • Powers
    • Sounds
  • Meaning Tables: Elements Table ,pg. 24
    • Spell Effects
    • Starship Descriptions
    • Suspect Descriptions 

Blank Page to First Scene 2: World Building 1, Paradise


World Building with the Mythic RPG is both extremely easy and rather challenging. It is easy because, with the loose idea of what you want, and the Fate chart, you can ask simple yes/no questions and start filling in the details. It is challenging because it can and will subvert your expectations quickly, which can lead to a game that wasn't what you had in mind. When an actual GM does this to his players, and he sees it isn't quite working out they can intelligently course correct, getting back on track. Mythic RPG, for all it is a wonderful system, isn't a thinking one. We bring the thinking to it. Thus, it is better to nail down anything you want to be concrete as soon as it comes to mind and NOT to leave it all up to Mythic.

There are two starting places we need the Hub, a district of Paradise, and Shadow, the term that Paradisians call everywhere else. I want to start in media res. So, I will be jumping straight into action, so I don't need a lot of details on Paradise yet, and because exploring is the purpose of travel for Saul, I don't want to go over board with the starting location either.

If you were to follow this link Setting Creation Elements, you would find that Mythic Magazine has provided us with a plethora of tools for creating setting and parts there of, but lets first look at the suggestions from Mythic RPG.

Chapter 9, World Creation (starting on pg. 85) gives us gives us a number of tools for emergent world building, and we will put those to good use in the near future, but starting with the Hub we are going to nail down some details before we let randomness take the wheel.

Mythic Magazine 38, pg. 3 gives us the article  “Solo Setting & World Creation System” (This can be found in Compilation 7). This has several tools useful for us (bonus points for us as it mentions that this or a variation of it will be used in Setting Creation in MRPG2). First off, there are lists of  Adventure Genre to roll randomly or at least consider for inspirational purposes. I like Hybrid Fantastic Sc-fi. That gives us a broad base for our local district in Paradise. Next, and just as important, not just for this setting but for the campaign at large, is Adventure Tone. Epic and Strange match our needs, but I am going to add Whimsical as well, to remind myself that this is more of a light hearted game for fun than a dash to rescue the multiverse. The penultimate tool at hand is Context. Here we are going to lay down ground rules for play in Paradise.

"Context is what informs our expectations. Context
is everything we know about our adventure world,
from the genre and setting to important past
events and our Player Characters themselves." MM Vol. 38, pg.8

So, to describe the context of the campaign, and Paradise specifically I think "Madcap Genre-bending Multidimensional Adventure!" pretty much covers both the city of Paradise (or at least the hundred or so miles we are likely to explore) and gives us a good idea of the types of adventures and scenes to come.

Along with context we can set Context Rules.

"A Context Rule is adventure Context
that you elevate to a game rule. Treat it
like a mechanical element of your RPG
or adventure, like any other rule. It’s
an instruction you can refer to when
interpreting Mythic prompts and events." MM Vol. 38, pg. 10

Context Rules for Paradise and Beyond
  1. In Paradise there is no death, and very little want. If a character from Paradise dies in a Shadow the reappear in Paradise, though worse for the wear (and possible naked).
  2. If a setback can be interpreted in a humorous way in Paradise it is. Most Shadows will have more serious consequences.
  3. As Paradise holds an aspect of anything in creation, nothing is out of place there, though somethings maybe pretty weird nonetheless.
  4. Paradise is a safe haven (like a home base in a West Marches style campaign) which isn't to say adventure can't happen there, but if you put your loot in a bank or stow it with a powerful friend it will still be there when you get back. 
  5. You can reach any time or world from Paradise, as it has it cast its Shadows all over creation, it is harder to get back to than to exit from (excepting through dying of course, but that tends to be unpleasant).
The last tool in “Solo Setting & World Creation System” is a history generator. As Paradise has always existed and (theoretically) always will this would be a bit daunting, even for one neighborhood, so lets just give it one go for a brief local immediate history.  You will find the grid for generating histories in MM 38, pg. 9. (As I don't own the compilations I can't narrow it down for you there, sorry). For, those who haven't picked up this gem of a magazine yet I will briefly explain. There is a 5 by 3 grid of boxes, with interconnections by way of random d10 rolls taking you to other boxes. 1-2 may lead down to a box while the next box may have 3-4 lead right. That isn't too important right now. I am just going to run through it quickly and give you the narrative outcome.

Start>Attack Depletion>Deposit Freedom>Indulge Elements>Deny Attention>End

When Saul first came to the more or less abandoned Transcorp industrial district of Paradise it was a pretty much a slum. It was a corner that reminded him largely of the old fossil factory towns on old Earth which had been totally abandoned as soon as there was a way out, but people did live here, natives that were pretty dang close to looking like humans, and so while desolate it looked a lot like home. 

Saul had already been doing some dimension hopping for a while and in his wild rush from Domain to Domain he hadn't spent a lot of the loot. So, he arranged for a few cheap fabricators from a richer district (and by doing a few favors) and flexed a bit of his "magical" muscles and started cleaning the place up and arranging the tools the locals would need to refurbish the neighborhood. There were some clashes with various gang types, and one mob syndicate, but honestly it wasn't like the place was churning out the cheddar, so a deal was cut that it would remain something of a safe haven for people who wouldn't hassle the locals, on the condition that the locals wouldn't ask too many questions. That and bit of the vig was expected should the place turn a profit. And with that they let it go. 

To make sure that it didn't draw too much in the way of speculators and gentrification, it outer edges were left pretty rough, though the inside became a homey safe haven for locals, your more good natured banditos, and weirdos from across paradise and beyond. Saul really pushed for it to be named Saulsburg, as it was his idea, but it ended up being name Haven, about the least interesting name they could come up with. 

With the next installment we will drop Saul into some hot water, and then generate an opening scene

Tuesday, June 17, 2025

Blank Page to First Scene 1: Character Creation

Return to ToC

One of the most charming aspects of Mythic RPG, is that the character summary starts the ball rolling. I said in my last post I wanted a character who was experienced in both magic and plane/genre hopping. The character could be a researcher constantly seeking the new, or someone a little less ivory tower and more self centered, though I know I don't want to play a real ne'er-do-well. A balance of practical and academic with a streak of heroism when the cards are down sounds like just the character for me. Flipping through a popular sci-fi name generator I have decided on Saul Tane. 

Pre summary rambling
(This isn't an official part of character creation, but a little free form writing just to toss ideas on to the white space. For me after a few paragraphs of this, I have a much clearer view of who the character is going to be. This step is optional in the extreme, but without I draw a blank when I try to build a character.)

Saul Tane comes from a backwater galaxy, and in a tiny corner of that, which has barely conquered space travel within there own galactic system, much less, grappled with all the possibilities of dimensional shifts along the Parallel Axis. 

About five hundred yeas ago a couple clever monkeys (sorry, scientist) realized that while the dimensions of space may be finite, there sure were a lot of them, and most of those finite dimensions are filled with, well nothing (which is a very silly place to travel to). Considerably less were filled with next to nothing, which is also a poor vacation destination. Even after much research could they find any mathematical dimension that very full of something.

Soon after, a very clever monkey, working with an equally clever monkey with a spanner developed an engine that could launch a small craft into one of those finite, but nearly empty spaces, and on account of their emptiness (and this is where it gets weird) they could travel great distances in less time because those same universes (the ones full of nothing, or to be more precise next to nothing) would have expanded at a much slower rate, yet still shared all the same points in space. What is more, extremely dense substances, like a large class three gas giant, or as star or black hole of any size, leave a gravitational shadow, which could, if your charts are right or you have an extremely clever monkey of your own, you can "Fall" out of those "higher" dimensions into a new spot within their own galaxy. It is true sometimes a ship would fail to reappear where it was planning to go, but it was assumed that just meant they had fed a black whole they mistook for a star, because their science monkey wasn't clever enough. And most of the time that was true, but some of the time....

If you stumble through space without a map looking for ultra dense materials that will leave a shadow in "hyper-space" (a term about as silly as the use of  phrase "AI" in the 21st century Earth) you can stumble upon a Transdimensional Beacon. Particularly altruistic beings, that have probably long since became transcendent or extinct, left these behind to help lost travelers get to a safe harbor. (Because the only reason they could conceive of that you would be in near null space is that they got lost). Once activated these beacons transmit the lost travelers location to The Universal Reality Engine, which then moves the ship to The Omni-dimensional location, the jewel at the center of it all: Paradise. So, far as anyone knows it is a one way trip.

Paradise is a city of infinite size that exist at the very center of all things on the Parallel Axis, and as a shadow in all dimensions and times, though it is bugger hard to get to from anywhere in particular. In fact, it is easier to get to the One Real Place accidentally, than to access it from its nigh infinite Shadows. Also the name Paradise is somewhat misleading. It is a city of infinite size, which means it also has some slums, blue light districts, and urban war zones (also of infinite size, but avoidable with a good map). In fact, it is thought that the name Paradise at one time was slang for an acronym, but at this point no one remembers it, and on the whole the name has stuck.

Summary
Saul Tane is hardly the first human to reach Paradise, but of all of those that have, he has the least desire to go back to Earth (though occasionally he visits an Earth, but more on that later). Saul Tane, was a combination, genius, adventurer, and pain in the arse. None of those things have changed in the ages he has spent in the timeless city of Paradise.

It can't be said he got to Paradise on purposes, but his studies, both conventional, mathematical, and "speculative" suggested it must be there. His mistake was thinking that the black hole in sector 1794, was Paradise. It turned out to be a Transdimensional Beacon, that transported him to Paradise.  Still it worked out all the same, and what is more he doesn't have to repay the $3 bet that the technically lost to his boss (or replace yet another ship come to think of it). He had made a second mistake as well. He thought the God Engine (more conventionally called the  Universal Reality Engine) would be in Paradise, but if it is he hasn't been able to find it. Which isn't to say he hasn't learned to access it. 

Tall, with wide shoulders that start a like a block of stone at his non existent neck, down to a near nonexistent waist, with inelegant tree trunk legs and hands like shovels, you can't say that Saul is a fashion plate in any humanoid dimension (well maybe a couple), but he is sturdy and strong, especially for an astrophysicist (most of which seem to be skinny fellows with thick glasses). Wizards come in all shapes and sizes, so he is doing fine on that front. A moody fellow (again common amid Wizard) he can be jovial or terse, and that can change on a whim, but the mood he has most of is curious, and that extends to nearly everything. Not given to fight unless there is no other option, he usually uses magic to cheat. On the whole he doesn't want to fight, but he hates to lose (though if forced to admit it, he does like the occasional tavern brawl). He is built like a brick cylinder, the moves about that well as you would expect for a brick cylinder, but he is very dexterous and steady of hand.  

What he lacks in grace of foot and common good looks he makes up for with a very keen mind and, of course, Magic.

Attributes 
Brawn:     High
Agility:    Below Average
Finesse:    Above Average
Smarts:     Exceptional 
Intuition:  Above Average
Ego:  Exceptional

Toughness: High
Vis Pool Maximum :  Exceptional

Current Vis Pool: Exceptional

(As you can see I have changed up the abilities some. To reflect that Strength is total body strength I picked a word that better reflected that to me. I switched IQ to Smarts to make it a bit more universal a term, Willpower became Ego, to reflect it is both a sense of self, thus potentially social, and a force of personality. I added Vis Pool Maximum, because a free form magic needs some limitations and Vis (Latin for energy) pool having a ceiling discourages using magic for everything. )

Abilities
Wizardry
: Exceptional(The ability to tap into the power of the Universal Reality Engine. Usually effects are mapped to the paradigm of the particular setting/genre)

Brawl: Above Average (Fighting with fist, simple, and improvised weapons)

Skullduggery: Above Average (Sneaking and besting security measures)

Tech: High (All things gadgety or buttony)

Talk: Above Average (skill set ranging from haggling,  diplomacy through persuasion, but not lying)

Deception: High (Lies, disguise, and slight of hand)

Ride/Drive: Average (getting about without using your own feet)

Athletics: Average (Anything you could learn in PE)

Know: Exceptional (Knowledge of a lore variety)

Investigate: High (Detailed searches and analyzing physical evidence)

(There are plenty of other abilities, like Shoot, Melee, Heal, Acrobatics, etc. but even a well rounded man of action can't know them all)


Strengths/Weaknesses

Strengths and weaknesses can give Rank Shift (RF) bonus or penalties. I also use them as tricks or permissions similar to the Fate RPG. With an experienced character you can expect a lot of quirks so hidden Strengths and Weakness will probably come out in play (see pg. 19 Mythic RPG).

S-Instant acclamation: Having traveled to many dimension and worlds Saul orients to new paradigms very quickly. +2RS for acclimation checks 

S- Instant translator: Through a Low difficulty spell that takes but a moment to cast, Saul can talk to any being with an organized language, which is translated by the Universal Reality Engine (mind he may still have a terrible accent). This is usually an Average check for most casters, so the RS bonus has already been included. (Most planeswalkers use some variation on this trick be it spell or hardware.) 

S- Wizard: Rather than having a limited attachment to the URE through rotes or devices, Saul has learned some of the "programming language of reality" or "True Speech". This grants permission to use free form magic. The difficulty of the spells are determined in the magic section.  (forthcoming) (depending on your local idioms)

S- Planar Compass: With a small amount of concentration Saul can track down the closest "thin" spot that will take him back to Paradise. (There are many more of these than people think.)  (+2RS to sensing the closest Thinning. More on Thinnings in the World Building article) There are spells that can simply take one to Paradise, but you have to overcome to local "gravity", and this is much easier to do at a Thinning.

W- Weirdness attractor: If it can go wrong, it will go weird (roll Fate Check to see if PC Negative Random events have a Weirdness component.) 
 
W- Mood Swings- Saul is given to powerful emotions so any extremely good or bad situation could leave him giddy or morose or enraged. Exceptional Ego roll to resist. While in the grips of a powerful mood -1RS for all social interactions (like uses of Talk and Deceive Skills). (There are two kinds of wizards in the multiverse, those that are calm, serine, and centered in its harmonies. Saul is the other kind). 

W- Curious to a fault (or Poke it with a Stick)-  When encountering anything new and unknown Saul must "figure it out". Should he chose not to for what ever reason, this triggers a Mood Swing check.


Notes.
50 Favor Points

Monday, June 16, 2025

Mythic RPG: Blank Page to First Scene (Brought to you by the Red Book and Mythic Magazine)

As I am sure has become apparent by now, I am a nut for Mythic. It isn't the only free-form DYI RPG I love (Fudge, and FAE will never stop getting a share of my affections), but when it comes to tools to truly start from scratch, between the Red Book, and Mythic Magazine all the tools I could want are just a few pages away. (and yes I know a second edition of Mythic RPG is on the way, but why wait to have fun?)

When I was primarily a GM, I would poll my players before a new campaign and listen to their input about what sorts of characters they have in mind and what sorts of gaming experience they would like to play. Today I am asking myself the same question. I think I would like to play something with very wide open possibilities, probably with the ability to shift from genre to genre with the same core cast of characters. Magic has to be present, or technology that is so close to it as to match Arthur Clarks famous quote, "Any sufficiently advanced technology is indistinguishable from magic".  There are a lot of RPGs that offer that (and more than a few books, that I could use as primary sources), but I am in the mood to work from a blank slate. I also want lots of roleplaying and mystery or research. Action is welcome but needs to take a back seat to exploration.

I will not be making the character as humble apprentice, but as an experience reality warping and world walker. 

I do like the idea of a hub though. A place to launch and end adventures. 

I will start by cracking open Mythic RPG, which as a tool kit game can accommodate anything imaginable. Once I know the PC (at least a bit) I will know where it is he calls home, and then we can really get the ball rolling. 

So lets get started, building Characters and building Worlds.

ToC


Wizard Dad Blog Update

After months of study I am on a short break between classes. I am truly sorry that I didn't have the bandwidth for both, but I am sure you folks understand that. I plan to pick up where I left off with some projects, and others will fall by the wayside, but there is also something new, and I hope fun and useful, on the horizon (check out the next blog post). 

What is certain is I will keep advancing the Mythic Magazine Index, and keep ferreting out the locations of all those precious worksheets and charts, until we can all grab the one we need as easy as flipping to the back of a book to find it. That is going to be a big project and long in completion, but useful for me, and I hope you as well, by the end. 

When the next class slides my way (probably pretty soon) I will have to balance the blog and the class work, but now that I have found my study hat I can hang it next to my wizard hat, and I believe switch back a forth between them more easily.

With that all said I plan to enjoy this free time to get back to my nerdy core, and blog it all so you can join in the fun, if you like.

W. D.